I wish there was a way to count the number of times that the word "prime" was used throughout The Prime of Miss Jean Brodie. I mean just looking back at one particular passage, the word is used 4 times in 1 paragraph. It is used so many times to refer to the private school teacher, as "a woman in her prime." It must be at least 100 times. Easy. And that's not all the catch phrases that are repetitive: Miss Brodie is trying to determine which of her girls will become "the crème de la crème." And we learn that each girl becomes "famous" for something, of which, that something is repeated nearly every time each girl is mentioned. At first, I was incredibly annoyed at this technique (I mean, I can retain information in my brain for a few minutes at a time so I can recall what each girl was famous for), but after a few times, I really spent a moment evaluating what purpose this served for the story. Was it just to give Miss Brodie a few clever catch phrases? That, while described as this renaissance thinker and developer of young girls' minds, maybe she was just shallow and haughty to fixate on these, and only these things? Or was it more than that.
As with The Old Man and the Sea, while The Prime of Miss Jean Brodie may seem like a short, little tale of a teacher a School for Girls in Edinburgh, Scotland, there are some layers here. First off, the story flashes forward abruptly throughout the novel, so the reader is already aware early on in the novel that one of her girls betrays her (oh, the word "betray" is probably used many dozen times too). So we spend the novel getting to know these young girls and how they were groomed by Miss Brodie. In many ways, she is a positive influence - she encourages them to be the best versions of themselves, she encourages their free thinking, exposes them to the beauty of art, and it is mentioned that they all are exceptional students compared to the others in their classes. But her relationship with them as a teacher is quite inappropriate, even long after they have moved on to the senior school, even grooming one of the girls to become the lover of the school's art teacher (as a proxy for her own love of the art teacher).
One of Miss Brodie's girls, Sandy, is the primary narrator (and we are allowed into her head quite often, with some very clever "cut-aways" to the ongoing, dreamy, fictional stories that Sandy is making up in her head - I was particularly impressed with this approach in the novel; these types of asides don't seem like something easy to do in writing but much more suited for a visual medium). Sandy explores so many facets about herself, Edinburgh, and Miss Brodie through the lens of religion, politics (Miss Brodie was a big ol' fan of Hitler, Mussolini, and fascism), individualism, and psychology. The book explores how the girls grow up with Miss Brodie as the force majeure in their lives, at one point mentioning that their relationship with her "had worked itself into their bones, so that they could not break away without, as it were, splitting their bones to do so." But the story questions not just how one of her girls betrayed Miss Brodie, but whether Miss Brodie betrayed her girls by her methods and almost obsessive relationship with the girls as they grew up.
Like I said, there was so much in this book to unpack and certainly a lot of literary critique could be derived from this book. If I was actually in school for literature, this would be a novel I would ear-mark, wanting to go back to it, read it multiple times, and really explore the depths of the themes in the book. I'm not sure if everyone would necessarily like this book, but I did, surprisingly more than in the first chapter or so.
Side note: I'm often amazed that someone like Muriel Spark isn't necessarily named in the list of authors who are considered the best of their time. Like I kind of feel like she has been forgotten a bit. But she was an absolutely prolific writer, publishing over 20 novels, many books of short stories, and poetry. I mean, she was knighted as a dame, for Pete's sake. It's a shame that I don't have any other books of hers on my lists, as I would really love to explore more of what she wrote (not that I can't just choose to read more, but I have a lot on my plate ya'll!).
So next up, I'm moving on to The Heart of the Matter by Graham Greene. And coincidentally, Graham Greene funded Muriel Spark's first novel. As with many other books I read, I don't know squat about Graham Greene or what the book is about, and I kind of prefer it that way. 211 to go.